03-18-2011, 11:12 PM
"...On the day of atonement you shall sound a horn all through your land. You shall thus consecrate the fiftieth year and proclaim a release through the land to all its inhabitants.
It shall be a jubilee for you."
-Leviticus 25:1-4, 8-10, NASB
It shall be a jubilee for you."
-Leviticus 25:1-4, 8-10, NASB
Joo-buh-lee - noun
An appointed year or other period, ordinarily every fifty years (ordinary jubilee),
in which a plenary indulgence is granted upon repentance and the performance of certain religious acts.
The grandfather clock had been collecting dust in the attic of the Stormwind Orphanage for close to a decade. Early in its storage a child had pried open its front and spilled the brass gears and spindles within out and spread them across the attic's floor. Over the years a generation of bats had taken to nesting in it and the constant habitation had caked white filth over what few metal fixtures remained. Age snapped the leads and a crack upon the glass front had let moisture in to warp the paper face.
The Matron had offered to pay Valira five silver coins and a cup of soup a day to mend the clock. It would help, the old woman believed, with the children’s instruction on time. The priestess had taken the offer instantly. Five silver was enough to keep a smart woman of modest needs well fed and comfortable for a duration.
It hadn’t been long until Valira settled into a routine. Every morning at six, without care for sun or rain, the human priestess would make the trek from her Old Town apartment to the Orphanage. Her personality was of the exacting variety, a precise woman who viewed all facets of life a form of chaos to be wrangled into order. Even breakfast was a ritual to be performed down to every meticulous detail.
Every morning the priestess would stop by the baker's to pick up a slice of bread and re-fill her flask with water. No butter. No fat. No meat. No beer. The meal cost her nine coppers. With her copper’s worth of breakfast in hand Valira would then spend the next few hours at the Faol Fountain. In her travels she would come across the odd piece of literature and squirrel it away for these morning rituals. During her meal she would devour the odd scrap of paper, taking down anything from newspapers, manuals, recipes, scraps of text books and religious texts with the same plain, methodical speed which she used upon her meal. It often took the woman an hour to read even the small scraps of paper, her mind drifting lazily between different thoughts as she worked up and down the page mechanical. It was these moments of quiet reflection that drew her to reading, her interest more on the free movements of her mind than anything the page’s cramped lines of text could offer.
Spring was starting to yield its warmth and the priestess had taken to wearing the thin gilded uniform of a Confessor. It was the first day she had been able to get away from the heavy coat and gloves that had been her main-stay during the winter and she was enjoying the freedom. Every morning she would sit with her back to the stone fountain, her legs crossed tight till the bare flesh of her thighs pressed together and one knee overlapped the other. A hand rested comfortably upon the crossed knee, fingers splayed and nails scrapping along the satin of her leggings. The other hand would busy itself with whatever was needed, alternating between paper and food as the whim struck her. Her head remained fixed, turned slightly to the left and angled down, her jaw set and lips fixed to show the hardness to the corners of her jaw and the sharpness of her chin. Her black hair fell down around the ends of her chapeau to tickle the nape of her neck. The hair, though long, was never allowed to touch her shoulders.
Though she was well enough known and, thought slightly boney, pleasant enough to look upon, few people stopped to pay the woman much mind. Her pose had a queer effect on those who noticed her, many coming away with the odd sensation that the woman was posing for a painting. Though she was clearly comfortable, there was an odd sense of stiffness and rigidity to the way she held herself. Her eyes were always slightly lidded, her gaze -when not upon the page- fixed upon a far wall or fixture.
When she had finished with her meal and literature the woman would make her way to the Orphanage proper. And there, amongst the children, she would pick up her work from the day before.
“A clock is like a good adventure.” The children always wrung about the Confessor and her clock when she set up at the end of the hall in the morning, the younger ones sitting in the laps of their elders while the oldest stood, aloof, from the circle. Yet each child’s gaze remained on the woman in the tabard and gold-leaf cap as she presented before the standing clock.
“An adventure is only an adventure,” she reached out a gloved hand and, delicately, plucked at the long brass pendulum. With the face of the clock removed the guts of the machine were visible to the children. They all let out a little murmor as, with the pendulum's first stroke, the delicate bronze gears and wheels began to spin and tick. “When everyone is doing their part. Only when everyone is working together can the adventure move forward.”
Settled in her story circle and with a hand in her clock's organs, the good Confessor would recount stories of bravery and heroism while checking the timing mechanisms and sharpening the escape wheel. In the beginning they had been old tales, stories as old and musty as the clock itself. Though the children listened politely, no amount of embellishment or creative narration could rouse their interest. Soon the old tales gave way to new ones, the woman drawing instead from her time in the Third War. They were her own stories to share, pure fantasy born from a nugget of truth. They seemed to keep the children happy.
![[Image: 2jb71i.jpg]](http://i39.tinypic.com/2jb71i.jpg)
When the children scurried off for lunch at one the Confessor would settle in for earnest work. From her bag she would unroll a worn bed of felt and spread it out across the wood floor. Upon it she would place the delicate cogs, spinners and lines that composed the clock's meat. And it was this that occupied her focus for the next three hours, her delicate fingers polishing, twisting and replacing the odd pieces with her hooks, scrubs and lenses.
After her work the priestess would take dinner with the children. It was then that she would often share her more factual experiences in Northrend with the older children. They were tales of common heroism, of honest emotion and petty bravery. The only things she removed were the horrors. When the stories weighed too heavily on her she would give the children a soft, somber little smile before sending them off with promises of more. There always were.
With a full stomach she would finish up her task before putting away her tools. The Matron would see her out before the priestess’ evening confessions, often to hand over a little extra with her day's wage. Pausing only to place a chaste kiss on one or two of the children’s cheeks, the Confessor would be gone and off to help ease other's woes.
After a few days of work Valira began to sneak back into the orphanage every night to quietly break and snap the delicate work that she had done the day before. She had re-assured herself that it was a necessity for survival. The Matron's money and an Argent Crusade stipend was all that was keeping her alive. She wouldn't see half of her living go out the door because some unwanted children wanted to know when nap-time was.
Yet even after she found work as a governess she still continued to sneak into the orphanage to sabotage her work. It wasn’t about money anymore; she had waved the payment after the first week. It wasn’t love towards the children; though she was fond of the orphans, to be sure, she had no real parental affection for them. The only pleasure she found was at the end of the night, in the smile of the orphanage's workers and their thanks for her labor.
It felt good to be needed. And it felt good to be respected.